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When we know home is near Understand We'll go hand in hand But we'll walk alone in fear Tell me Where do we go from here? [34] Zacharek's unenthusiastic assessments of the music and cast's singing abilities were not shared by other writers. [18] Buffy essayist Marguerite Krause asserts that the monsters and demons faced by the Scoobies are thin symbolism for the show's true focus: relationships and how to maintain or ruin them. is Joss Whedon, Buffy The Vampire Slayer (TV Series).. Klik op ons voorbeeldpictogram  als u de eerste pagina van Where Do We Go From Here? These were designed to give viewers all the clues they needed to establish all the nuances of the relationships between characters. Where do we go from here? I’m here, while watching Buffy from start to finish, to say that I can’t get enough of Once More, With Feeling. Book: Go ask malice (Faith's backstory - not officially canon but consistent with every little thing we know from the show) Back to TV: Veronica Mars (a non-magical Buffy), more 90s highschools: Freaks and Geeks, My so-called life It was the most watched program on UPN that night, and the third most watched program that week, trailing episodes of Star Trek: Enterprise and WWF SmackDown. [45] Musicologist Amy Bauer categorizes the tempo shifts as "rock ballad to punk polka to hymn" that indicates Buffy's turmoil. De componist van Where Do We Go From Here? Dial-Driver, Emily; Emmons-Featherston, Sally; Ford, Jim; Taylor, Carolyn Anne (eds.) [8][note 1] Two choreographers worked with Whedon and the cast on dance sequences. "Buffy Hits a High Note". They are mentored by Buffy's "Watcher", Rupert Giles (Anthony Stewart Head), a paternal figure since the first season, when Buffy moved to Sunnydale after her parents' divorce. They realize that the songs are bringing out hidden secrets, and later insist to Giles that something evil is to blame. Although Salon.com writer Stephanie Zacharek states "(t)he songs were only half-memorable at best, and the singing ability of the show's regular cast ranged only from the fairly good to the not so great", she also asserts that it works "beautifully", paces itself gracefully, and is "clever and affecting". song by Buffy. '"[10], Preparing for the episode was physically difficult for some of the cast members, most of whom had little experience singing and dancing. [37] Whedon shot the scene so that Giles moves in real time while Buffy works out in slow motion, to accentuate Giles' distance from her. [6] Tara's heartfelt love song also has an ironic subtext; although she appears to mean that she is fulfilled by her relationship with Willow, the lyrics include multiple allusions to Willow working her manipulative will over Tara, overlaid with Tara's euphoric singing about her pleasure in their union. "Joss Whedon Gets the Cast Vamping", Zacharek, Stephanie (November 7, 2001). I started reading the comic books and then moved away from the nearby comic store. SKU: MN0078180 During the first three seasons of Buffy, he was unable to take more than two weeks off at a time, and the constraints of writing and directing the show precluded him from putting forth the effort of preparing a musical. The Hills Are Alive with the Sound of ... Vampire Slaying! 1 user explained Where Do We Go From Here? The Scoobies realize that their relationships have been changed irreversibly by the secrets revealed in their songs ("Where Do We Go from Here?"). However, "Once More, with Feeling", according to Stroud, is the turning point at which she begins to face her responsibility to the community, her friends and her family. They began drinking and singing, demonstrating to Whedon that certain cast members had musical talents. [6] Stephanie Zacharek of Salon.com considers this "brilliant because it frees even people who hate musicals to settle into the story without getting hung up on the genre's conventions". For as long … Giles forbids the gang to assist Buffy, so she goes alone, despite having no will to do so; eventually Giles and the Scoobies change their minds and leave to catch up. [75] In October 2007, after a dispute with the Screen Actors Guild over unpaid residuals, 20th Century Fox pulled the licensing for public screenings of "Once More, with Feeling", effectively ending official Buffy sing-alongs. The couples in the group wear opposite colors (Giles in green and Buffy in red, Anya in blue and Xander in orange, Tara in yellow and Willow in purple), and Rhonda Wilcox interprets the color-coding and choreography to represent the "tension between the individual and the group". Watch official video, print or download text in PDF. Tara has previously expressed concern at Willow's use of her emergent magical powers for trivial or personal matters. Meeting Sweet at The Bronze, Buffy offers a deal to Sweet: she will take the place of her sister if she can’t kill him. The mood is set by music, characters discuss it, and writers use it to emphasize differences between generations. Head had musical theater experience in. own and I do not; merely what I wanted to happen. Sheet music arranged for Piano/Vocal/Guitar in A Minor (transposable). [42], When the episode was originally broadcast in the United States on UPN on November 6, 2001, it received a Nielsen rating of 3.4 and a share of 5. Where do we go from here Where do we go from here The battle's done, And we kinda won. [6] UPN, the television network that aired Buffy's last two seasons, promoted the episode by displaying Gellar's face on billboards with music notes over her eyes, and held a special premiere event. Welcome, fellow Buffy fans! [12] This appears specifically in "Something to Sing About", which starts with uptempo platitudes: "We'll sing a happy song / And you can sing along: / Where there's life, there's hope / Every day's a gift / Wishes can come true / Whistle while you work ..." While singing, she kills Sweet's minions with a pool cue. When we know home is near Understand We'll go hand in hand But we'll walk alone in fear Tell me Where do we go from here? [69][70] Despite this, Joss Whedon recognized the influence "Once More, with Feeling" has had on other shows, but denied that it was primarily responsible for the rise in musical television episodes or series such as Glee, citing the popularity of High School Musical instead. Anya, Buffy, Dawn, Giles, Spike, Tara, Willow And Xander: Understand we'll go hand in hand, but we'll walk alone in fear Giles: Tell me! Near the end of Tara's song, she sings, "Lost in ecstasy / Spread beneath my Willow tree / You make me / Com — plete", as Tara levitates off the bed while Willow tacitly performs cunnilingus on her. Whedon is a fan of Stephen Sondheim, and used him as the inspiration for much of the music, particularly with the episode's ambiguous ending. Led by Giles, the gang theorizes about the cause of the singing; they sense no immediate danger but agree that by working together they can overcome anything ("I've Got a Theory/Bunnies/If We're Together"). Buffy The Vampire Slayer feat. He doesn't know enough to know what he can't do and he's smashing rules. The title of the episode comes from a line sung by Sweet; once the characters have revealed their truths and face the consequences of hearing each other's secrets, he challenges them to "say you're happy now, once more, with feeling". / Playing with my memory / You know I've been through hell / Willow, don't you see? G Am C Giles & Tara: So we sound our victory cheer. [53], Writing in the Toronto Star, Vinay Menon calls "Once More, with Feeling" "dazzling" and writes of "Joss Whedon's inimitable genius"; he goes on to say "(f)or a show that already violates conventions and morphs between genres, its allegorical narrative zigging and zagging seamlessly across chatty comedy, drama and over-the-top horror, 'Once More, with Feeling' is a towering achievement [...] The show may be anchored by existential weightiness, it may be painted with broad, supernatural brushstrokes, but in the end, this coming-of-age story, filled with angst and alienation, is more real than any other so-called teen drama [...] So let's add another line of gushing praise: 'Once More, with Feeling' is rhapsodic, original, deeply affecting, and ultimately, transcendental. When the others arrive, she divulges that Willow took her from heaven, and Willow reacts with horror at finding out what she’s done. So we sound our victory cheer. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in fear GILES Tell me! Where do we go from here [6] According to Buffy essayist Zoe-Jane Playdon, earlier episodes' "false saccharine behaviour" impedes the characters so crucially that it summons a demon to force them to be honest. Tambourine Man’; June 21, 1965, Lyricapsule: Nirvana Drop ‘Bleach’; June 15, 1989, Lyricapsule: Derek and the Dominos’ First Gig; June 14, 1970. I say that’s not going to happen. Keveney, Bill (November 6, 2001). Dawn starts to bemoan that no one seems to notice her ("Dawn's Lament"), but is soon seized by minions of Sweet (Hinton Battle), a zoot suit-wearing, tap-dancing, singing demon. In the fourth season The Initiative, a secret military organization whose mission is to evaluate and eliminate demonic beings, rendered Spike harmless by implanting a microchip in his head that causes him intense pain when he attacks humans. [6], Buffy essayist Ian Shuttleworth writes that Amber Benson (Tara) has "the sweetest singing voice of all the lead players", referring to "Under Your Spell" as "heavenly and salacious"; author Nikki Stafford concurs, writing that Benson "has the most stunning voice, showing a surprising range". Randy Lewis (September 23, 2002). [6][12] Sarah Michelle Gellar (Buffy) told the BBC that "It took something like 19 hours of singing and 17 hours of dancing in between shooting four other episodes" and she was so anxious about singing that she "hated every moment of it". I rewatched it immediately mostly because of Tara’s voice singing Under Your Spell. Since her resurrection, Buffy has been lost and without inspiration to perform her duties as a Slayer. Anya, Buffy, Dawn, Giles, Spike, Tara, Willow And Xander: Where do we go from here? Joss Whedon had wanted to make a musical episode since the start of the series.
Where do we go from here? She has been confiding in him; prior to this episode, he is the only one to whom Buffy has revealed that she was in heaven. And I never want to do it again. The song ends with chord influences from Stephen Schwartz's Pippin and a visual tribute to Disney: as Buffy stakes a vampire, it turns to dust that swirls around her face. Not only does she continue her Slaying despite a lack of inspiration, but for the rest of the season she works at a humiliating job to provide for her sister and friends. Original lyrics of Where Do We Go From Here? Find more of Buffy lyrics. "The Guide: Aerial view of America". Where do we go from here? Maybe it's a Beatles thing. [6] Each of the singers in this song, which "marries soft rock to the function of a dirge", connects musically to earlier songs while foreshadowing Buffy's next number and the final chorus, providing an ominous anxiety. She goes to the Magic Box to consult a book, leaving Dawn alone. Cannot annotate a non-flat selection. Xander and Anya's duet—the most fun to shoot but difficult to write, according to Whedon[6]—is inspired by Fred Astaire-Ginger Rogers comedies as evidenced by the silken pajama costumes and art deco apartment setting. Following Dawn's date, Buffy asks Giles to shoulder responsibility for disciplining her, much to his discomfort. Buffy the Vampire Slayer's musical episode, 'Once More, with Feeling', registers a paltry outstanding music direction nomination. lyrics: DAWN: / Where do we go from here? [note 4] Tara and Willow demonstrate throughout the series, and specifically in "Once More, with Feeling", that they are "intensely sexual", according to Buffy essayist Justine Larbalestier. In an essay on the use of music in the series, Jacqueline Bach writes that in conjunction with the sixth season themes of growing up, "Once More, with Feeling" gives music a central role instead of keeping it in the background.[5]. Network president Dean Valentine remarked he thought it was "one of the best episodes of television I ever saw in my life". Anya and Xander: Why is the path unclear When we know hope is near? Amid the various annoyances Xander and Anya express through this song, some verses are clear-sighted observations of behavior, such as Anya's accusation that Xander—once in love with Buffy—uses Buffy as a mother figure to hide behind. Title: Chapter 1: Aftermath of the Where Do We Go From Here? Once More With Feeling (Episode Soundtrack) Album, Once More With Feeling (Episode Soundtrack), Lyricapsule: The Surfaris Drop ‘Wipe Out’; June 22, 1963, Lyricapsule: The Byrds Drop ‘Mr. If there was one thing she hated more than anything it was being bored. by Buffy the Vampire Slayer Cast and see the artwork, lyrics and similar artists. [19] Common among most of these relationships—romantic, platonic, and familial—is, according to Krause, a "failure to communicate, lack of trust, [and the] inability to envision or create a viable future". Captured by Spike outside the store, one of Sweet’s minions conveys a challenge from Sweet for Buffy to rescue Dawn from The Bronze. Mitchell, Claudia; Reid-Walsh, Jacqueline (2008). Failure means that they were right; that there might as well be only one Slayer, fighting and dying and doing whatever the hell the Watchers tell her to do. in 2009. This episode is the longest only as it was originally broadcast and on DVD. [6], Running eight minutes longer than any in the series,[note 2] the episode was also the most technical and complex. [72], Buffy the Vampire Slayer developed an enthusiastic fan following while it aired. Where do we go from here? The song introduces the character's emotional state but also removes the barrier between the actor and the audience, as Gellar the actor portrays Buffy, who feels she is merely playing the part of the Slayer. [56][57] In 2009 TV Guide ranked the episode #14 on its list of "TV's Top 100 Episodes of All Time". When asked by Sweet what she thinks about life, Buffy gives her pessimistic take on its meaning ("Something to Sing About"). He had fulfilled his obligation to Buffy and if she couldn't feel the way he did, well bugger 'em all. (2010). Nice for the musical directors. [24] For Buffy, however, truth is slow in coming, as she continues to lie to the Scoobies, claiming to forget what she sang about in the graveyard during "Going Through the Motions". Note: When you embed the widget in your site, it will match your site's styles (CSS). [50] Tony Johnston in The Sunday Herald Sun writes that Gellar "struggles on some of her higher notes, but her dance routines are superb, Michelle Trachtenberg's Dawn reveals sensual dance moves way beyond her tender years, and James Marsters' Spike evokes a sort of Billy Idol yell to disguise his lack of vocal proficiency [...] The rest of the cast mix and match like ready-made Broadway troupers." Anya, xander Why is the path unclear When we know home is near? John Virant, president and chief executive of Rounder Records, told the Los Angeles Times, "I remember watching the episode when it aired last October, and after it was over, I said to my wife, 'That's the best hour of TV I've ever seen. Johnston counts "I'll Never Tell" as one of the episode's "standout moments". Her relationship with Spike, however, allows her to feel lust and attraction, which she yearns for after being pulled back from a heavenly dimension. Xander then reveals that he, not Dawn, called Sweet, hoping he would be shown a happy ending for his marriage plans. [26] Anya also avoids the truth by burying herself in wedding plans without thinking critically about what being married will entail; instead she considers Xander an accessory to her desired lifestyle. These include Xander Harris (Nicholas Brendon), a young man without particular strengths or talents, but devoted to Buffy and her calling, and Willow Rosenberg (Alyson Hannigan), a young woman who has grown from a shy but gifted student into a strong woman and powerful user of magic. [20] Miscommunication is worsened or sustained through multiple episodes and seasons, leading to overwhelming misunderstanding and critical turning points for the characters, some of whom do not recover. The next morning, Xander and Anya perform a duet about their secret annoyances with each other and their respective doubts about their impending marriage ("I'll Never Tell"). When Buffy is on patrol, she laments in song about how uninspired her life has become ("Going Through the Motions"). [6] Spike's "Rest in Peace" is also a rock song, which Whedon wrote after completing the episode's first song, Tara's "Under Your Spell", a contemporary pop song with radio-play potential. Hello everybody! Buffy the Vampire Slayer is a show of contradicting figures. ", as the Scoobies stand dazed and disoriented, facing different directions. [23] The consequences in the episode of concealing truth, spontaneous combustion, is an allusion to Bleak House by Charles Dickens—of whom Whedon is a fan—where characters also face immolation for being deceitful. [47] The characters as a chorus sing "The curtains close on a kiss, God knows / We can tell the end is near", moments before Buffy runs out to kiss Spike and the show closes with actual curtains. Album: Once More With Feeling (Episode Soundtrack), Where do we go from here ", Grey’s Anatomy’s Doctor/Horrible Sing-along, Musical TV episodes: The gimmick that won't die, Once More, With Feeling: Joss Whedon Revisits 'Dr. (2008). [2], Buffy died at the end of the fifth season ("The Gift"), sacrificing herself in place of her younger sister Dawn (Michelle Trachtenberg) in order to save the world. Enker, Debi (April 11, 2002). C Em Anya & Xander: Why is the path unclear, C Am When we know home is near. Xander fears that his future marriage will turn him into an argumentative drunk like his father. [38] Previous televised depictions of lesbian relations were primarily limited to single "coming out" or "lesbian kiss" episodes, showing lesbian-identified characters as affectionate but not erotic. Sometimes became unsettling to fans, which would take weeks or months Spike Buffy! 39 ] Lorna Jowett called the song tuneful yet chaotic to express the main point of the,... 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